Date: Thursday May 14, 2009 - Sunday May 17, 2009 (7:30PM - 2:00PM)
Wednesday, May 13, 2009
Friday, March 27, 2009
DLF.TV is debuting an exclusive interview series known as “Daily David” where David speaks candidly about anything and everything ranging from filmmaking to consciousness. In this video clip, David Lynch speaks on how ideas come in fragments and join together. The film stays the same, but each viewer may have a different experience and interpretation.
This is new David Lynch foundation TV:
Friday, March 6, 2009
Tuesday, March 3, 2009
"Tehran Has No More Pomegranates!"
Director Massoud Bakhshi and crew are on a mission to make a film about their hometown, Tehran, but have hit a wall and must explain to their overseers at the Documentary Film Center why their project cannot be completed. They decide to investigate the city’s past in order to better understand the present. What follows is a sarcastic and comic narrative about
Showtime: march 4 and 5, 2009, 6:15pm, 8:00pm, & 9:35 pm
Embarcadero Center Cinema, 1 Embarcadero Center, San Francisco
Monday, March 2, 2009
The 27th San Francisco International Asian American Film Festival
The 27th annual San Francisco International Asian American Film Festival(SFIAAFF), which showcases the best Asian and Asian American films from around the globe takes place March 12-22, 2009 in San Francisco, Berkeley and San Jose.
Film screenings, filmmaker tributes, and panel discussions take place at the Castro Theatre, 429 Castro Street in San Francisco; Sundance Kabuki Cinemas, 1881 Post Street in San Francisco; Pacific Film Archive, 2575 Bancroft Way in Berkeley, and the Camera 12 Cinemas, 201 South Second Street in San Jose.
For more information visit
http://festival.asianamericanmedia.org/2009/
Saturday, February 28, 2009
Niki Karimi in Berkeley on March 1st [Sunday], 3pm-9pm
Women’s Cinema from Tangiers to Tehran
Director and actress Niki Karimi joins us on March 1 to present her films One Night and A Few Days Later . . . . Well known for her portrayals of forceful, independent women in such films as Sara (1993), Two Women (1999), and The Hidden Half (2001), she also assisted Iranian master Abbas Kiarostami on The Wind Will Carry Us and ABC Africa before going on to direct her own films. In advocating for what she calls “the kind of cinema which describes reality and which gets close to people’s daily lives without making compromises,” she speaks for many of the courageous women whose works are presented here.
A celebration of women filmmakers from North Africa and the Middle East, as well as the diaspora in Europe, this series represents a remarkable geographic, cultural, and stylistic range. In documentaries, features, and experimental works, the directors depict urban attitudes and rural traditions, the dream of escape and the isolation of exile, and the comforts and entrapments of family. But as James Neil, co-curator of the British series that inspired this one, has said, a common theme runs through the films: “They are about women who struggle and strive against their surroundings, and they’re directed by women who have had those experiences themselves.”
http://www.bampfa.berkeley.edu/filmseries/womens_cinema_tangiers_tehran
Thursday, February 26, 2009
HRW film festival
Human Right Watch group has a film festival in the bay area from Feb 25-March 26th.
For more info go to http://www.hrw.org/en/iff/san-francisco.
For more info go to http://www.hrw.org/en/iff/san-francisco.
Monday, February 23, 2009
the world may be wild at heart and weird on top...
...but
Somewhere over the rainbow
Way up high
And the dreams that you dreamed of
Once in a lullaby ii ii iii
Somewhere over the rainbow
Blue birds fly
And the dreams that you dreamed of
Dreams really do come true ooh ooooh
did you guys see the rainbows today?
Somewhere over the rainbow
Way up high
And the dreams that you dreamed of
Once in a lullaby ii ii iii
Somewhere over the rainbow
Blue birds fly
And the dreams that you dreamed of
Dreams really do come true ooh ooooh
did you guys see the rainbows today?
Friday, January 16, 2009
David Lynch
In the upcoming movie night we will be watching David Lynch movies.He's known as Writer/Director of Experimental, Avante-Garde, Dark and Disturbing Art House Films.
"Born in 1946 in Missoula, Montana, David Lynch was raised early in small town America. After high school, he went to Boston to attend the School of the Museum of Fine Arts. Shortly after that, he planned a 3 year trip to Europe to work on his art, but didn't take to it and left after 15 days. In 1977, he released his first film Eraserhead (1977), which, although not critically acclaimed, was noticed by many people, includingFrancis Ford Coppola, who was rumored to have screenings of it for his cast and crew on the Apocalypse Now (1979) set. After a stream of visually stunning films such as Blue Velvet (1986), Lost Highway (1997) and Mulholland Dr. (2001). All these films, and a few more, beginning with Blue Velvet (1986), and including his "Twin Peaks" (1990) TV series, feature what has now been added to signature Lynch features, such as vibrant colors, the use of dreams and amazing montage to connect character thought and multiple emotions into one sequence..."
Thanks to Tara for recommendation of this link: David Lynch
Tuesday, January 13, 2009
Wong Kar-Wai
We have seen Wong movies for last few months and we know him as high energy visual style director who use jump cut, wide angle lenses, stutter frame editing...
but there are some interesting points he said about his movies:
About his chance to make a film:
"It happened suddenly, when a producer asked me if I wanted to make a film and I said ,"why not?" that started my career as a director."
"I was born and raised in cities, and I think I am more interested in making films about cities in general, whereas most Chinese fils are about the countryside."
"I've always thought in terms of images, so as these images occur to me, I have to continue to revise the plan in order to accommodate them."
"Basically, I like fruits but I hate pineapple, so I think one of the best tortures for a character in my films is for him to be eating a lot of pineapple."
"In Chungking Express, people are far away from camera but seem so close (It became a contrast). We worked with very limited budget we don't have permits, so we have to work like CNN, you know just breaking into some place and taking some shots. We often don't have time to set up..."
"Non of my films are autobiographical. My life is too boring. I don't think it would be interesting film."
"I'm not satisfied with most of the Hong Kong films about this topic(gay) because they treat it specially; there always must be something different. And to me I'm happy with Happy Together because there is nothing different. It is story about two persons, they are both man. The story can apply to a man and woman, or two women, even a man and a tree."
"To me relationship seems like a plane and a airport. But sometimes, when this airport refuses to be an airport anymore and the plane has no place to land, this is the end of the relationship."
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